lundi 20 juin 2011

Texte en français, plus loin en bas SVP.
anche in italiano

http://www.dailymotion.com/video/x4nqw2_salutation-tribuana_fun

Some points for group work in Tri Buana way

The past carry you to this very present, a good present open the future,

a page of living book

in the university of life

When many people meet for a work, for a creation to build a way to the very near future or the very far future we need to find and agree on common references.

The first step, is how to be present in a good Tri Buanic health.: body, energy of life/emotion and thought/mind.

Then ready to open yourself as an empty bowl (of wondering Buddhist monk), a bowl that is used as a begging instrument, to beg the food of life, TriBuanicly. To make it a bit clear, TriBuanic is the three worlds/points of seeing and functioning in action, could be thought, emotion, body, could be mind, speech and action, etc.

To open to others to understand other participants, arising interest on others and surrounding.

To create a feeling of oneness among member, to be a solid one group, that means to have a common interest for a period of time in space and situation.

The fourth steps is to create a common language, common creative language, evaluative, theatrical, universal, professional, depend on the subject, and the goal/ the aim.

The fifth step, is the step to work together on a subject to develop together, to enjoy it, to live it with good time (in French: bonheur).

The success at the beginning is not the main aim. The well-being, the building up the way of life are to be put in the first interest. It may take all lifetime; then in this case the way becomes the aim, to enjoy together. Hopefully the way will fill by a sparkling moment of joy. The question is "what for those beautiful art if it does not gives good health and happiness?"

Is it art the aim of life? To be or not to be like that is an important question?

Where is "love"? But before putting this loving ingredient in the work, we may need to examine what is inside this word "love". What is in every word that mind uses to remind its origin?

This water is clear and nice to drink. Hey, where is the fountain comes from? What are its ingredients?

To understand what someone looking for, what someone searching for is useful to help us where, how they go.

Criteria of their satisfaction are also important to comprehend, as well as the manner, the means they use and their behaviors.

Working on the character that carries someone to his or her destiny. The character is build by daily work on habit. Habit construct by repeated action. Action comes from thought/idea. So let us step carefully on the ladder (stairway) of the destiny: idea - actions - habit - character - destiny.

Knowing oneself is illumination, knowing others and surround is wisdom.

When one is entirely solid and flexibly resistance, behave harmoniously with surroundings and this "some one" carry other participants in "oneself", (that means one understand the multiple), in that way one action have more chance to carry other participants/members intentions. One consciousness becomes multiple. Vaster. Grand. The multiple act in one. One (with grand a consciousness) acts by the multiple. Hhh hmm, you can imagine the power. This ACTOR is animated by the invisible one-multiple. This invisible could be an idea, a song, a movement in mind, a word, a story, rhythm, ... bon voyage.

please ponder on image past, present, future below, and some other article on Tri Buana in order to find the blooming benefit for the head, feeling/emotions and body (in action). One point that guides carry the other two points/references.

Either it was good or not what you have done, the criteria is to be observed in the inner change (transformation) inside oneself, the different sensation you obtain between before and after action. But to remember, this "personal" feeling must be already formed/transformed by multiple surroundings. Ah ha, it is a circling process.

The form being informed is transformed by the performance/ & its performances;

As an informer, the one who gives information, being transformed by the information, the knowledge and by the way.

As a transmitter, as being transmitted and become an heritor of “something”.

Aware (being conscious) that the sky always look at you, our dear one earth always carry and support you, the future waiting for you and the past life make you stand present here now pushing you forward; the fifth observer (spectators) is your consciousness. Remembering these 5 invisible spectators that always present, Tribuana actor act without being perturbed by applause, by praise and good or bad critics.

When you find yourself in front of a group-work, please look at 30 points to considers how a “master” behaves in front of his/her “disciple” ;

http://tapasudana.blogspot.com/2006/01/masters-considerations.html

somewhere in this 3 blog there may be points of references like the 9 steps, 5 wishes, 15 points of references,

http://theatretribuana.blogspot.com/2009/03/les-9-etapes-tribuana-5-serment-et-des.html

143 crystal sentences in English and 198 in French, … in Italian, … Spanish, …greek, … :

http://theatretribuana.blogspot.com/2006/04/sparkling-italian-words-spanish-words.htm

Mastering the art of transmission is to find the chance to practice it in lifetime.

Information and indication on practical exercise with comprehension that what you pro-pose is an act of exercising to produce an offering with awareness and acceptance that may be nobody agree, but when everybody try to taste and to do, we have already living a moment together, a way to share. Tolerance demand intelligent to understand and opening a way to co-habit; enthusiasm is to be driven and guided by bright intelligent, creative idea and love caring on the way of harmony.

Learning other ethnic song and dance is also a way to understand and enjoy a culture, a tradition, an art of survival. During the break time as a breakfast time to learn/ to eat new songs to enjoy. Smiling is way to help each other; inner smile is better and not very expensive to produce, isn’t it? Ha ha. Hh hmm.

Success or not, good or bad, right or wrong, by deep practices time will tells the way and reveal the truth. When? It is depend on the density of the work and the way, how and what have you charged in “time-line” of the past, present and future.

(to be continued)

Updated 20 june 2011.

TapaSudana


QUELQUES POINTS POUR LE GROUPE DE TRAVAIL DANS LA VOIE TRIBUANA

Le passé vous porte jusqu'à ce présent, un bon présent ouvre le future

une page du livre de la vie

dan l'université de la vie

Quand plusieurs personnes se rencontrent pour un travail, pour une création, pour construire un chemin pour le future très proche ou le future très lointain, nous avons besoin de trouver et être d'accord avec des références communes.

La première étape est comment être présent dans une bonne santé Tribuanic : corps, energie de vie et pensée/mental.

Puis prêt à s'ouvrir comme un bol vide (tel le moine bouddhiste), un bol que j'utilise comme instrument de prière, pour prier la nourriture de la vie, Tribuaniquement.. Pour être plus clair, Tribuanic c'est les trois mondes/points pour voir et fonctionner en action, ça peut-être pensée, émotion, corps, ça peut-être mental, parole et action, etc.....

Pour s'ouvrir aux autres, pour comprendre les autres participants, s’éveiller aux autres et à l'environnement.

Pour créer un sentiment d'unité parmi les membres, pour être un groupe solide, cela veut dire avoir un intérêt commun dans une période de temps dans un espace et une situation.

La quatrième étape est de créer un langage commun, langage créatif commun, évaluatif, théâtral, universel, professionnel, selon le sujet et les buts/objectifs.

La cinquième étape est l'étape du travail ensemble sur un sujet à développer ensemble, pour le plaisir, pour le vivre avec du bon temps, avec bonheur.

Le succès au début n'est pas le but principal. Le bien-être, la construction du chemin de vie sont à placer en premier intérêt. Ça peut prendre toute la durée de la vie; et dans ce cas le chemin devient le but, s'en réjouir ensemble. Avec bon espoir que le chemin sera rempli de moment lumineux de joies. La question est « Que faut il pour ce bel art si cela ne donne pas une bonne santé et de la joie ? »

Est-ce l'art le but de la vie? Etre ou ne pas être et comment ? est une question importante.

Où est « l'amour »? Mais avant de mettre cet ingrédient d'amour dans le travail, nous devons examiner ce qu'il y a à l'intérieur du mot « amour ». Qu'y a t-il dans chaque mot dont l'usage rappel à son origine ?

Cette eau est claire et agréable à boire. Hey d'où vient la fontaine ? Quels sont ses ingredients ?

Pour comprendre ce que cherche quelqu'un, il est utile pour nous aider de comprendre où il va et comment il y va.

Les critères de sa satisfaction sont aussi importants à comprendre, autant que la manière, les moyens qu'il emploie et ses habitudes.

Travailler sur le caractère qui porte une personne vers son destin.

Le caractère est à construire par un travail quotidien sur les habitudes. L’habitude se construit par l’action répétée. L’action vient de la pensée/idée. Donc avançons avec soin/attention sur l’échelle (escalier) du destin : idée – action – habitude – caractère – destin.

Se connaître soi même c’est l’illumination, connaître les autres et l’environnement c’est la sagesse.

Quand une personne est entièrement solide et résistant avec souplesse, se comportant harmonieusement avec son environnement, et que celui là porte les autres participants en lui, (cela veut dire que « un » comprend le multiple), dans ce sens une action a plus de chance de porter les intentions des autres participants/membres. Une conscience devient multiple. Plus vaste. Grand. L’action multiple en un. Un (avec une conscience élargie) agit, est agit par le multiple. Hhh hmm, vous pouvez imaginer le pouvoir.

Cet ACTEUR est animé par l’invisible un-multiple. Cet invisible peut être une idée, une chanson, un mouvement en pensée, un mot, une histoire, un rythme, … bon voyage.

S’il vous plait réfléchissez aux images du passé, présent, future à venir, et d’autres articles sur Tri Buana pour trouver la floraison du bénéfice pour la tête, sentiments/émotions et le corps (en action). Un élément qui guide, porte, les deux autres éléments.

Que ce que vous avez fait soit bon ou non, le critère est à observer dans le changement intérieur (transformation) à l’intérieur de soi, les différentes sensations que vous obtenez avant et après l’action. Mais se rappeler que cette sensation « personnelle » doit être déjà formée, transformée par l’environnement multiple. Ah ha, c’est un processus circulaire.

“The form being informed is transformed by the performance /& its performances.” (la forme étant informée est transformée par la performance/& ses performances.)

Comme un émetteur, à qui on a transmis, il devient héritier de « quelque chose ».

Conscient,(étant conscient) que le ciel vous regarde toujours, votre chère et unique terre vous porte et vous supporte toujours, le future vous attend et la vie passée vous fait tenir debout présent ici et maintenant vous poussant vers l’avant ; Le cinquième observateur (spectateur) est votre conscience. Se rappelant que ces 5 spectateurs invisibles sont toujours présents, l’acteur Tribuana agit sans être perturbé par les applaudissements, les éloges, les bonnes ou mauvaises critiques.

Quand vous vous trouvez devant un groupe de travail, s’il vous plait regardez 30 points pour considérer comment un « maitre » se comporte avec ses « disciples » :

http://tapasudana.blogspot.com/2006/01/masters-considerations.html

Quelque part dans ces 3 blogs il devrait y avoir des points de références comme les 9 étape, les 5 serments, 15 points de références,

http://theatretribuana.blogspot.com/2009/03/les-9-etapes-tribuana-5-serment-et-des.html

143 phrases cristaux de pensées en anglais, 198 en français, . En italien, ….Espagnol, … Grec, …. :

http://theatretribuana.blogspot.com/2006/04/sparkling-italian-words-spanish-words.html

Maitriser l’art de la transmission c’est trouver la chance de le pratiquer à tout moment de la vie.

Les information et indications sur des exercices pratiques, avec la compréhension que vous proposez, est un acte où s’exercer à produire un offrande avec conscience et l’acceptation que peut-être personne ne sera d’accord, mais quand tout le monde essaye de goûter et de le faire, nous avons déjà vécu un moment ensemble, une voie de partage. La tolérance demande l’intelligence pour comprendre et ouvrir une voie pour co-habiter ; l’enthousiasme est d’être conduit et guidé par l’intelligence lumineuse, l’idée créative et un soin d’amour sur la voie de l’harmonie.

Apprendre des autre des chansons ethniques et des danses est également une voie pour comprendre et apprécier une culture, une tradition, un art de survie. Pendant les pauses (break time) comme un petit-déjeuner (breakfast time) pour apprendre/manger de nouvelles chansons à apprécier. Sourire est une voie pour aider chacun, le sourire intérieur est mieux encore et pas très cher à produire, n’est ce pas ? Ha ha. Hh hmm.

Réussir ou pas, bon ou mauvais, vrai ou faux, des temps de pratiques profondes diront la voie et révèleront le vrai. Quand ? Cela dépend de la densité du travail et du chemin, comment et quoi avez-vous mis sur le « fil de la vie » du passé, présent, future.

(à suivre)

Mise à jour 20 juin 2011.

Tapa Sudana

(traduction anglais-français par Sébastien Rabbé)


punti per lavoro di gruppo in Tri Buana

Il passato ti porta al presente, un buon presente aperto il futuro, una pagina del libro vivente nell'università della vita.

Quando molte persone si incontrano per un lavoro, per una creazione, per costruire qualcosa in un futuro molto vicino o molto lontano hanno bisogno di trovare ed essere d'accordo su referenze comuni.

Il primo passo, è come essere presente in una buona salute Tri Buana.: corpo, energia della vita / emozione e pensiero / mente.

Poi pronto per farsi riempire, come una ciotola vuota (monaco buddista), una ciotola che è usata come un strumento del mendicante, per implorare il cibo della vita. Un po' più chiaramente: TriBuana è i tre mondi / punti del percepire e del praticare in azione, potrebbe essere pensiero, emozione, corpo; potrebbe essere mente, discorso ed azione, ecc.

Aprirsi agli altri per capire gli altri partecipanti.

Creare un sentimento dell'unicità fra i partecipanti; essere un gruppo solido che vuole dire avere un interesse comune per un periodo di tempo in uno spazio e una situazione precisa.

Il quarto passo è creare una lingua comune, lingua creativa e teatrale, universale, professionale in relazione al soggetto, alla meta / allo scopo.

Il quinto passo è lavorare insieme su un soggetto per svilupparlo insieme, goderlo ,giocarci e vivere un buon tempo (in francese boneur)

Il successo non è lo scopo principale. Il benessere, il costruire un modus vivendi sarà il primo interesse.

Può prendere il tempo della vita; in questo caso il modo diviene lo scopo, il godere insieme. Con buona speranza il modo riempirà la vita di scintillante gioia. La domanda è : " A che pro un 'arte bella se non dà buona salute e felicità?" È l'arte lo scopo della vita? Essere o non essere in un modo? Dove è l' "amore?" Ma prima di mettere questo ingrediente amoroso nel lavoro, noi possiamo avere bisogno di esaminare quello che è in questa parola "amore." Quale è in ogni parola la sua origine?

Questa acqua è chiara e buona da bere. Ehi, dove è la fontana ? Quali sono i suoi ingredienti?

Capire ciò che qualcuno sta cercando è utile per aiutarci a capire dove e come andare.

Criteri della soddisfazione sono importanti per comprendere, così come la maniera, e i mezzi che usano ed i loro comportamenti.

Lavorare sul carattere che porta ognuno al suo destino. Il carattere è formato da lavoro quotidiano sull' abitudine. abitudine si costruisce con azioni ripetute. L'azione viene da pensiero / idea. Quindi ci permetta di avanzare attentamente sulla scala (scalinata) del destino: idea - le azioni - l'abitudine - il carattere - il destino.

Conoscere sé è l'illuminazione, conoscere gli altri e ciò che ci circonda è saggezza.

Quando uno è completamente solido e flessibilmente resistente, si comporta armoniosamente col contesto e " porta gli altri partecipanti in "sé", (questo vuole dire l'uno che contiene il multiplo), in questo modo un'azione ha più opportunità di traghettare le intenzioni dei partecipanti / membri. La coscienza del singolo diviene multipla. Grande. L'atto multiplo nell'uno. Uno (con una grande coscienza) agito dal multiplo. Hmm di Hhh, puoi immaginare il potere. Questo Attore è animato dall'invisibile uno-multiplo. Questa impercettibile anima potrebbe essere un'idea, una canzone, un movimento della mente, una parola, una storia, un ritmo... buon viaggio.

per favore riflettete sull' immagine passato, presente, futuro; sul menù tribuana per trovare il beneficio fiorente per la testa, sentendo / le emozioni e corpo (in azione). Un punto che vi guidi portando gli altri due aspetti.

Sia buono o cattivo ciò che avete fatto , il criterio è di osservare il cambiamento interno (trasformazione) in sé, la sensazione diversa che ottienete fra il prima eil dopo l'azione.

Ma per ricordare ,questo sentimento "personale" già deve essere stato formato/ trasformato dai multipli e dagli altri intorno!. Ah ah!, è un processo circolare.

L'essere forma informato e trasformato dalla performance!

Come un informatore, colui che dà informazioni è trasformato dalle informazioni,dalla conoscenza dal modo.

Siate Consapevoli che il cielo ci guarda sempre, la nostra cara terra ci sostiene, l'attesa del futuro e la vita passata ti fa essere nel presente qui e ora sostenendoti verso ; il quinto osservatore (spettatore) è la Tua coscienza. Ricordando questi 5 spettatori invisibili che sempre sono presenti , l'attore di Tribuana agisce senza essere perturbato da applausi, encomi, da buoni o cattivi critici.

Quando vi trovate di fronte ad una gruppo-lavoro, per favore guardate a 30 punti da considerare come un "maestro" si comporta di fronte a "discepolo" suo; http://tapasudana.blogspot.com/2006/01/masters - le considerazioni.html

ci possono essere in qualche luogo in questo blog del 3 punti di referenze come i 9 passi, 5 auguri, 15 punti di referenze

http://theatretribuana.blogspot.com/2009/03/les-9-etapes-tribuana-5-serment-et-des.html

143 crystal sentences in English and 198 in French, … in Italian, … Spanish, …greek, … :

http://theatretribuana.blogspot.com/2006/04/sparkling-italian-words-spanish-words.html

Imparare l'arte di trasmissione è trovare l'opportunità di praticarla in vita.

Success or not, good or bad, right or wrong, by deep practices time will tells the way and reveal the truth. When? It is depend on the density of the work and the way, how and what have you charged in “time-line” of the past, present and future.

(to be continued)

Updated 21 April 2011

TapaSudana

Informazioni ed indicazione di esercizi pratici con comprensione che ciò che si propone è un atto , un'offerta fatta con consapevolezza e con l'accettazione che non tutti possano essere, ma nel tempo in cui ognuno tenta di assaggiare e di fare, noi già stiamo vivendo insieme un momento, un modo di condividere.

La tolleranza richiede di capire di dare spazio ad un modo di coabitare; l'entusiasmo va guidato da brillante intelligenza, con idea, creatività ed amore che ci conduce nella strada dell'armonia.

Imparare e condividere canzoni etniche e danze tradizionale è un modo per capire e godere di una cultura, una tradizione, un'arte di sopravvivenza.

Durante il tempo di pausa dal lavoro come un tempo di colazione per imparare / mangiare canzoni nuove e godere.

Sorridere è modo di aiutarsi l'un l'altro; il sorriso interno è il migliore e non costa... no? Ah! ah!. Hmm di Hh.

Successo o no, buono o cattivo, sbagliato o giusto , con pratiche di lavoro profonde il tempo ci dirà la strada rivelerà la verità. Quando?

dipende dalla densità del lavoro e dal modo, da come e dove sei sul "tempo-linea" del passato, presente e futuro.

(to be continued )

Aggiornato 2011 TapaSudana di 21 ap 2011,

Da Francesca Pompei.

lundi 27 juillet 2009

TriBuana Master consideration.

Master’s consideration :

1. Accept difficulties and his limits in front of his/her students.
2. Keep maintaining his/her silence.
3. Be calm and serene, aware of emotional expression.
4. Restful thought and clear.
5. Be modest, simple and essential.
6. Avoid jokes that despise students.
7. Gentle and anticipating, see ahead.
8. Be patient with students that has no courage and weak.
9. To educate hard students with good manner and advise.
10. Don’t shout at students who ask question.
11. Be interested by a students question and listen attentively.
12. Understand the question and answer only the question.
13. Accept excuses and put things in its place.
14. Accept his fault and admit/honour the truth.
15. Prevent student from learning disastrous thing.

16. Awaken the three worlds (body, emotion and thought) toward the path of universal spiritual way of life.
17. Be precise, clear and firm; be just.
18. By necessity a master could be authoritarian without becoming authoritarian.
19. To prefer/encourage expression then submission.
20. To know how to be: sometimes be in front as a guide, sometimes in the middle as participant, sometimes behind watching and observing so everything going well.
21. Always ready to give and transmit the knowledge with caring-love.
22. The aim/goal and the satisfaction of a master is to transform a student/disciple into a teacher/master.
23. Offer advise and explanation according to students level/maturity. In this case it is useful to know in advance the students inner-situation, his/her “ 3 worlds” expressions and his/her goal in action/doing.
24. Respect students opinions and indicate where she/he will arrive with that opinion.
25. Keep maintaining the behaviour and appearance of a master, it is the mirror of his/her healthiness in body, emotion, thought and spirit.
26. Before all, to serve student first for the common purpose/cause/work.
27. Behave in mind to feed the whole worlds/ everybody even though she/he speaks for one student.
28. Thinking analytically and globally at the same time without neglecting the important presence of the intuition.
29. In his/her every expression of the three worlds (body, emotion and thought) always contain compassion and universal love.
30. Every action should be natural, in the way to honour the law of nature, to cultivate nature.


N°: 1-15 from : Hakki Ibrahim, Turkish wise man, translate by Ali Ichsan Kaleçi into French, and into English by Tapa  
N°: 16-30 from : Tapa Sudana

mercredi 17 décembre 2008

Workshop Tribuana 2009 , updated 14 january 2021 ,



Tapasudana

Balinese actor, giving workshop theatre Tribuana, live in Montreuil now, in France since 1974; Contact Skype: tapasudana

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Actor from Bali, Indonesia live in France since 1974, born in Bali 1945, contact: tapasudana45@gmail.com ; Créateur Serviteur émetteur de http://theatretribuana.blogspot.com/2008/05/eveiller-et-cultiver-lexpression-des.html

Thursday, March 06, 2008

Tribuana Theatrical Workshop

This blog is in perpetual evolution, transformation
up dates 
thursday, 27 november 2017, 22h07

To know others is wisdom, to know oneself is divine-inner-wisdom way to illumination.
With inner smile; please.

or 


Hello dear friends human, water, air, SUN-light, animal, vegetal, mineral, spirit and demons .....whatever contain universe from its BIG BANG, I am in you, you are in me, everywhere yet no where, yet now here --no where, I am offering the essence and light ray of what I have taken from this life registered by TIME and SPACE  that we share together. This magic voyage of life, the only one (there must be another life, many of them i was in in the past and will be re incarnate in the future or not), as we are dealing in this life is to BE or NOT to BE..what? As carrier of Balinese Tradition (born as I Gede Sudana, 21 september 1945, 22h00,  in Denpasar Bali, then in 1974,  I created with my father permission evolutive name: I Gede Tapa Sudana). My mother Ni Made Nurani and father I Gede Madera (he created 13 children, 8 boys and 5 girls all alive till now (8 october 2017). I am the eldest of his first wife (4 sons, 4 daughters), and second wife (4 sons, 1 daughter)
photo octobre 2017.

What is Tribuana?
In brief: Tribuana tri=3, buana=world/univers, so the 3 worlds of human being as it is manifested in human body form, there are 3 main part that sustain human life:
  1. Head symbolized by triangle.
  2. Digestive organs that transfome matter into energy of life, symbolized by circle, round, ellipse 
  3. Procreative sacred organs, symbolized by square, organ sexual=the reproductive 2 organs as ONE that each human only have half of it, a sacred tool of ancestral creativity; hmmm, take good sacred care of it, otherwise it can goes wild, rebel, a lust- ephemere -pleasure .....
Now, let us see how this 3 forms will transforms itself into a magic puppet on a stage of theater of mind (mind you, please) as marvelous technologic gadget of 3rd millennium as below.
So we see in thes image there are 2 members in top part of round form, arm, arm forces it can do war as love too, and in the base part, the square mass form has 2 members, as legs, to go from one place to other, step by step wisely, or jump with care. What are in the triangle? there are 5 surfaces and windows of perceptions that has a capacity to suck information from outside to be transform and reform into a performance in MIND. The buds of inner impulse to expressions of the 3 spheres/worlds of human: Tribuanic expression, unique.


In 1979 I start offering Balinese masque workshop in Vaison la Romain, Avignon, France. Since then, many demands came to me to give workshop in France, as in Hérisson at Footsbarn Theater, many residential workshop in Italia, Greece, Spain, Germany, Amsterdam, n'Djamena/Tchad, Bogota, Caracas, participate in 7 Caminos Teatrales in Guanajuato, Mexico (conference 7 theater master 2009). There are many vidéo i made recorded by Magic TIME ofLIFE in youtube, keyword:workshop tribuana tapasudana, and some writing in blogspot.com

Picture below, show us links by logo of 3 forms, each contains informations briefly: links to life on earth, matter/mass/material/minerals, sky/light/idea.
How to incorporate and unite our three worlds?



Many PHOTO ALBUM TRIBUANA WORKSHOP at Picasa
klick here
for photos and video Workshop Granara, Italia
PHOTO + VIDEO

TRIBUANA presentation in different languages:

1: Tribuana 27 lezioni italiano, klick qui
Tribuana Way in Greek, klick here
in Greek , only 21 lessons translated, sorry.

5: Tribuana dalam bahasa Indonesia, klik

6: MARGA PURA
is other form of perceiving and doing Tribuana workshop, as way to a temple. Marga= way, Pura = temple , Balinese words. 
http://tapasudanamargapura.wordpress.com/2014/04/26/how-to-enter-to-marga-pura-way/

7:
there are interview has been done about Tribuana in video to see in you tube:
Tribuana interviewed 1, by Valentina Grigo at Teatro del Montevaso
for Grundtvig project of Francesca Pompeo
European Integrazione
klick here

Tribuana interview 2, klick.

Tribuana interview 3, klick

Tribuana interview 4, klick

Tribuana interview 5: klick

To see Tribuana workshop in video youtube, please use key words: tribuana, workshop, caroman, montevaso, la luna nel pozzo, melara, granara, cima grappa, theatre organic, ....
exemple:
Caroman tribuana

8:
another face of Tribuana work as theater of life, klick a blog link here.


To see human being in 3 essential parts,
here it is
how TriBuana see , consider, live and cultivate it, as the dwelling of AtMan, part of Brahman and Brahman ITSELF, the Grand invisible creator, the origine of the cosmos.

TriBuana work/way is

"To awaken and to cultivate the expression
of the 3 Worlds of human

Thought, Energy of life, Body "

(up dated 29th december 2013)
In reading this article,  please slide and klick your mouse on some letters underlined, it contains link or video or image or blog.  enjoy ...
My opinion: in Bali, the actors behave like a servant. They serve "something", something more important than themselves, they bring "that thing" into life, a story to tell, or a character to incarnate, or an object to animate(bring into life), which must be honored. In Tribuana way, an actor also gives life a song, a movement. This means that the story (or other “served thing”) is more important, more interesting, contain higher value than themselves. The story/the “thing” has already a “life”. The “hi-story” includes a better knowledge, wisdom, as well as a natural path (visible or invisible, comprehensible or incomprehensible) to follow, to celebrate, to honor.
In order to reveal this life (this mystery, this idea), the actors must mobilize all their resources, their capacity to give life, to re-incarnate those things into performed living presentation.
The work consists to wake up, to be aware, to cultivate and to unify, to celebrate the expression of the three worlds (body, energies of life, and thought) in order to arrive to a total expression through deep solution, cleverly intellectual, scientific and also sharply intuitive, analytical and global at the same time. Of course we cannot always reach those ideal-parameter, but important to be in the path that lead us to ideal destination. To be understood, that a destination will lead to the next one, next step, and so on and on, master/guide is a timeless mastering oneself in life.

A Story, a work, a theatrical creation, a hi-story must carries the three natural, creative and generating ingredients:
1. It cultivates the intelligence in a creative way in the way of the harmony; therefore, it must make people more intelligent, a bright clear brain quality. Intelligence produces not only theory, knowledge, but until knowhow, what to do, what to create!
2. It gives a long life to its essence, its existence will last beyond its presence, longer than its physical life's time, beyond the emotion, beyond this earthy energy of life. Something still alive beyond their death. The show finish, the message of the story goes on, its spirit still alive.
3. It must have the transforming (magical) effect, it transforms the actor/ the actress, the spectators and the surround (the world, "three worlds"). In a form contains informations, that transform ...... me, you and others ....

The field of exploration includes 29 lessons: (0-28)

0. Prep.
Preparation is a kind of "meditation", initiate oneself to be ready to serve , awake, present. This present is a PRESENT.

1. Silat Tribuana (based on martial arts from Indonesian Pencak Silat, PGB Bangau Putih of Bogor, West Jawa, Indonesia. Klick here a Video. I translate it as the art of survival). To foresee for this lesson, preferable to dress in white (white trousers and white T-shirt if it is possible). And another Video, Klick here.  Silat White Crane = (Persatuan Gerak Badan Bangau Putih) was created by Bapak Suhu Subur Rahardja, 25 decembre 1952 in Kebun Djukut,  Bogor, West Java, Indonesia.
Founder: Subur Rahardja.




2. Tai Chi Tribuana (awareness of the movements, profound attention, carrying out to the conscience of the physical articulation and energy = chi=prana=Ki in a natural flow). Finer energy used than Silat Tribuana. Some videos as references, find in youtube Gym Tribuana, klick one of them, more than 70's...

3. Chi Kung Tribuana , this exercises contains physical and mental involvement, images, deep sense, link with cosmic energy, fine, subtle, powerful, grand, calmly & peacefully done, finer energy than in Tai chi Tribuana; Klick here for video for example 

4. Koukoul Djagat, the work of percussions inspired by the Kodo (Japanese drum), to exert the work in  ritualistic manner, on rhythm (personal & group), endurance, force, voices of the Three Worlds. The instrument of Kodo must be built. Here one video during workshop in Italia, teatro del Montevaso 
I have the chance to work on that big KODO Japanese Drum during the creation on Mahabharata of Peter Brook in Paris, 9 month rehearsal, 9 hours performance, with world tour in 1985-86.

5. Yoga Tribuana: being in a static posture, to awaken sensitivity of posture (asana) and be aware of breathing and sensation, which makes it possible to feel the interior impulse, which carries out an actor to the action and the realization. A static posture is a name of the character to play, to incarnate.

6. Pranayama Tribuana, exercises of breathing; inspiration and expiry of energy (to perceive and try out various kinds of energies); aware of 2 phases in breathing: expire, empty, inspire, holding full.

7. Daily practice of some exercises of Taoist health. This exercise engages: the image, the movement, the sound and mental activities (images) in link with the energy of life such as emotions, the organs of digestion, the 5 elements, the colours... etc). Thank to Mantak Chia's 6 healing sounds, , i have the chance to follow his teaching by master Juan Li in Paris, Montpellier, France. Here one of his Video. For actors that using emotional expression, need to take good care of emotional energy of life, used in art of theater, to give life a character to play.


8. Tongkat: (original creation of Tribuana way by TapaSudana) The work of the stick; the actors handle the stick and play with and be played by the stick/tongkat;  repeating some precisely determined movements. The exercise of the stick is inspired by the martial arts for the aim of warming-up, health maintenance, work in group, meditation, and to awaken the feeling to be "ready to follow" (in the direction where the actor must serve, follows and gives life to a character or a story). The participant invited to bring with them a stick (of wood ) 35 mm in diameter, a length equal to that which separates the feet from the eyebrows (third eye). There are blog on Tongkat Tribuana, with video link, klick here.

9. Mask work. Mask is considered as personal belonging, personal instrument of expression and considered as sacred object. Participants are suggested to bring their personal mask.  Video on mask Ritual tribuana, Balinese ritual.  Mask dance, in Paris, klick for video  My father made "nose mask" Topeng cunguh.  Penasar, Punta Kartala, topeng Bali avec Soegeng  image/photo mask TapaSudana at Picasa

10. Puppet, Objects (props), like tools of expression or accessory to tell a history.   Photo of puppets tribuana.   Puppet show i have done and create together with 2 other participants, klick here please;

11. Work with the musical instrument /percussion. Sound as "tool" for story telling. Sound as energy to use in expression.

12. Kéchak Tribuana: The story of kechak from Bali was a vocal chorus of all the villagers who take part in this dance/ trance of Bali, for goal to move away the contagious mortal diseases, negative/ destructive energy, or the natural disaster who threaten to destroy the life of the people, animal or vegetal. This "chorus/ dance" in Sanghyang “dance ritual” from Bali, will give the possibility to the actors to work on the voice, on the collective rhythms, on the conscience and the energy of the group. It is a work on the harmonization, wakes up personal cosmic energy in a group for cures, for joy, for healthiness, for happiness of the life. Nowadays, this Kechak dance has become a very popular tourist attraction. A video on kechak exploration during Tribuana workshop in Italia, Granara.




13. Ethnic music. The actor is moved, danced and by ethnic music, by singing songs from various countries could be developed into improvisation. Ethnic song as theme of improvisation for movement and story to improvise. The sound of an ethnic instrument carries ethnic treasure, ancient seeds to taste and to grow. Collection of Tribuana ethnic song, klick here.

14. Bayu Swara, a work on the sacred syllables - the sound – personal inner voice: to find, to give birth to a syllable each day. A syllable corresponds to a sound and is made up of only one vowel and 1 to 4 consonants. The progression of this work, the composition of the syllable, develops in such a way that the first day syllable will give birth to the syllable of the second day; the syllable/ the reality of the second day gives life to the syllable/reality of the third day, etc. Video on Tripass and Bayuswara, at Tribuana Cima Grappa retreat,  2013. To examine the mystery of sacred syllable, is to be aware of the instrument of voice, what produce sound in you, Tribuana propose you to be aware of your physical/material in your mouth: as teeth, lips, palate, throat, vocal cord, breath. Lips produce :m, p, b. Lip+teeth produce:v,f. Teeth+tongue produce: t, d,n. Front edge of tongue+palate produce: n, t, d.  Middle tongue+palate produce: zz, sh, (different language different notation, pleas explore with full awareness on your "tool for making sound" in your mouth. G, K is produce by throat cartilage. H produce by breath. S produce by tongue,teeth, breath, etc, etc, In this picture below, vowels can be associated in a direction. Consonants makes sound if they joint with vowel. From lips to throat, there are place/organs/elements of sound. Please feel which organs (lips, teeth, tongue, palate, throat, breath) produce what consonant/sound. Quality of sound, emotion of sound, power of sound, is to be explored in mind, emotion, etc.

15. Autumn leaves or crystal thought. To meditate on (to contemplate) short sentences which are to be regarded as the crystal of the thought, fruits of contemplation. To reflect and exchange opinions, to discuss subject/ problem in a group, all these activities are the field where the thought can be cultivated and involved in order to produce a common theatrical language, a common creation based on common understanding/comprehension, common experiences, clarify the common destination/goal in action. I made song out of that words, a singing wisdom/hints.

16. A work in the group and on the group: aware of oneself being member of a group, to remember, serving the centre of the common interest of the group, it is necessary to know "the magic and mysterious thing which binds us together", to feel the common energy, the common impulse/ common intension, which will give an animated spirit for story to be told, which will be then shared publicly. Aware of one common “thing/energy/story” to develop; at the same time the actors remain open, alert, sincere, essential, therefore simple and direct to participate in creation. To understand/to comprehend "theatrically" is to be in an creative action. A tribuanic-actor who says, "I understood", they must be able to do "something", to make real, to realize their spoken idea, to carry out their comprehension into action, creative creation.

17. A work on improvisation, common creation, that relate with the work in/on a group. In this work 3 steps must be considered well: 1, knowing/comprehending the participants, 2, creating a common theatrical language and 3, choosing/working on “subject” in common to serve/to feed it together that link the member of the group, that must be honored, that is more important then themselves during that improvisation. Improvisation in a spirit of celebration.

18. Story telling, story which are told by participants, or by myself, who will give place then to improvisations. To find a common language to explore and build together. To give life to a story consists in finding together the inner impulse of the story inside us, a work where the sharing is experienced.

19. TOTEM Tribuana A totem is an object/material composition, in tribuanic manner which one develops by adding object/something to the previous composition; the work is like feeding everyday reality.  In a residential workshop, totem will be visited any moment, could be presented the last day of the workshop in open door session. The totem can be personal or collective. The totem can be made inside or outside in the nature. A totem can find its origin or/and initiated by a place or by an idea, which needs objects to make it real. It is a work to find the spirit of the objects, the energy of a place, the magic of a building, a charismatic present of an " evolutive sculpture". To see some image, photo of TOTEM TRIBUANA, klick here.

20. TRIPASS TRIBUANA. When the spirit of the totem concentrates on a piece of paper, it becomes an image, a drawing in one page and series of syllable in the next page, which is built with the passing days by daily adding a form or a line of colour and a sacred syllable. It is what is called: the Compact Disk of the personal identity or Diskette or Tribuana Passport (Tripass)

21. An introduction to ritual, by honoring the instruments of work, workspace and environment. Let us make some references, on RITUAL, is action you do with the sense and the present of spirit, act of respect, honor, aware of the mysterious invisible power of Cosmos Almighty. There are "ritual", how to enter to a time-space of work, how to start. It is none in relation to "religion" as religion now is ill treated, politicly driven, personal ambition and interpretation has make it filthy, dirty. A ritual is created in this Tribuana workshop to the way of "personal religion", relate to all presence: material, energy, magic.  A place where we work will be called and transform into: DO JO in Japanese way or MARGA PURA in Balinese words. The place is regarded as a place where one cultivates a WAY (path) of LIVE, PATH-WAY OF KNOWLEDGE, cultivate a way / manner of being. Each one takes care  of the curing  of place of work, and share/ participate its maintenance, to clean it, to put it in order before and after the work together.  There will be special exercise awaken the smell of ritual:  "cleaning the space" à la Tribuana. The preparation Marga Pura is depend on the work/lesson to come, and it will develops the work of group and awaken the sense of awareness, personal duty, and responsibility. Home made Tribuana ritual? video to klick here 

22. Bayu Panah Tribuana, is inspired by Kyu-Do of Japanese ceremonial archery. This work needs bow (Japanese bow of bamboo ideally) and arrow and target, or we may use elastic to replace the present of bow. Students need to bring those instruments. a photo of it, klick here. There are some sequences of movement to be repeated every time in a ceremonial manner and intense concentration, there are 8 steps before releasing an arrow (8 hasetsu). Total awareness is to be developed.  Video of my one-ma-show, Roma 1992 with kyu-Do, klick here 

23. Questionnaire -Tribuana: working on expression (in writing) of three parts of life-time: Participants of Tribuana expression workshop are invited to fill a questionnaire, a shared information , personal, professional, short essential-characteristic CV, as far as your openness to be expressed/exposed.



PAST : (what are your ancestral heritage, c.v, education, important workshop being done, important accident, past important experiences);
PRESENT :(job for living, what are you doing now in present living-time, what do you like to explore among 27 "lessons");
FUTURE : (what are you like to be in the future, your dreams, your ideal goal in life .... have the courage and sincerity to express not being afraid or shy to write if your were able or not able to reach it).

The past will make you sure to be present, and the future will attrack the present, hopefully with joy.
To see in symbol Tribuana questionnaire, see this picture below.

Notabene: opening, offering, determine the entrance. What you get depend on your openness. Information transforms.


24. Personal dialoog ou multiloog with Tapa Sudana. The meeting is to share essence of experience, to find answer of personal problem, to pro-pose one's opinion, one's advise, one's parameter/reference of life, how to be or not to be, what to take what to ignore, to channel one's thought and action in a direction. A dialectique conversation, between 2 there are the third to develop together.

25. . Post-note tribuana. This field/lesson tribuana was born after Easter Retreat at Casa Natura Alpenise, Cima Grappa, Italia, 28 march-1 april 2013.  Eventhough the workshop is finish already, i still open impression/question exchange, by mail, skype, Facebook, as participants wish.  For exemple, klick here

26. Gerak nuraga/Nurani, Olah Nuraga, Gerak Pranatman, ... Microcosmic dance ? A video to see? please Klick.
This field to explore as lesson, as exercise, as ritual, as food, tribuana food, seems to me came from my past research in Jogyakarta, with Bengkel Teater W.S.Rendra, that time, 1970, Bengkel's actors called it "Gerak Indah" = "Artistic/beautiful movement" for the first groups, and then with Rendra's second group in Jogyakarta, Indonesia, we explored "Gerak Nurani", Inner voice movement. In my memories, may be i have introduced and have done exploration on this work in Athens, in an archeological ancient ruin, late afternoon before sundown, with tribuana participants. A strange looking man ( look like hermit) passed by, and stop in a distance  watching us, and at the end of our "Gerak Nurani", he came to me, saying:" you should not do this movement here, you are lucky, not many people pass by here" .....he passed away mysteriously.
For this work space climate/ambience is important as part of the guide/parameter. Every participants will bloom their Atmic (Atman)-bud (/grain), in their own spring time. Spring time can be created together in space, time, situation and participants.  To start this work , we need to initiate it from lesson 0. Prep.  a kind of Zero state mind meditation. Zero vocabulary. is it possible? hmmm, I don't know, but we are marching toward it, to find a "way" in no way. Vegetarian is a step to maintain, and has been started before, to purify the fine inner impulse that open, spring from inner impulse into a posture,  posture into movement, into voice, into image, into word .. sentences ... it is a sacred celebration, personal, or in a group. The 5 vows is useful for mastering the moment of action. The criteria of cosmic symphony is being formed at that very moment, in evolution, in togetherness with others around you. An astonish moment, flowing and being flowed by prana, pnefma, chi, ki of life. All criteria/vocabulary of dance are to be omitted.No more right nor wrong, beauty nor ugly, like nor dislike, .... so ...."that's it, tat twam asi.

27. Impro Tribuana 3 words,  let spring 3 words just instantly without much thinking, and from that improvise a song, composing lyric and music; eventually it can grow into movement, dance; the work is how to find a natural link from one word to other word. The 2 words as parents (masculine and feminine, or yin and yang, or positive and negative electric charge) will produce link for/to arrive at 3rd word, and then the 3 will produce Koan, Hai Ku, poem, sentences, story. How to grow, to nurture, tu cultivate those 3 words in this fields/ garden/ lesson? KEKAYUN can be a guide.
https://www.youtube.com/watch?v=puPjfcayJCA
https://www.youtube.com/watch?v=hIUERM-qG8M
etc; can be found more by the 3 words above as key.

28. KEKAYUN, Tree of Sentence, Tracing how grows one's words into sentence, that mirroring oneself, that sentence has power to sentence the speaker and the listener. The master for this field/lesson is "the tree". Observe how tree grows as aware how one aware words flow from the mouth, grows mirroring it image with "what tree?", grows like mono-spinal tree ( christmas tree, cedar tree (etc. alike) or tree that wildly uncontrolled branching in all direction (banyan tree), free to grow its branches as light and space offer/attracts (banyan tree, etc alike).


 This work need a quiet peaceful mind in order to respect and honor the "will" of 1 word, 2 words, 3 words .....etc. Words can be considered as a living spirit, as mater can be brought into life (awaken the spirit of life) by an "actor", actor present to awaken a deadly mater, deadly body of human, puppet, object, mask, etc. To honor the meaning of a word, to taste its sounds that composed by....? the consonants and vowels in it. Here a turning point, a departure point one will deal with the magic of "spiritual way", that has been explored by many religion. Speaking about spirituality by the path of religion, it is a personal way. We see now in the beginning of the 3rd millennium, diversity of religions can not offer peace in a certain society, to live in community of diversity (like Indonesia 15000 islands with different ethnic, language, tradition, belief, religions, culture, ...) Look at around Jerusalem, with 3 religions, no peace that can last for ...... Then, following the path of "spirit" (Atman), how life comes in matter, from dead cell to living cell. Peace in a place and in one-self, demands many parameter as: appropriate climate, so the magic can occur. What is the other side of peace? When peace follows by war, war need guns sssssss ......Why advanced nations  (rich, wealthy materially) keep producing weapons, even atomic,  on this round earth of diversity? Why?
Exemple in making sentence:
" i want to go to a city  ......etc"
" i want to go to a city that where I can find someone that ..... etc 
" i want to go to a city that where I can find someone that teach me..... etc.

You see how the sentence grow, how the word comes to joint the written sentence........ ???
What are the need of the first word?
And a line of words chained as sentence already written (reality to grow), sentence (not yet finish/complete) will be completed .....

Kekayun, kekayon, a figure that the DALANG (puppeteer) dance/move/gives life on the screen of shadow play WAYANG, in the beginning of the shadow-show.

Kekayon (Bali),

 Gunungan (Java)

29. Gym Tribuana
Gym tribuana is gymnastic that awaken and activate the basic 3 human body, energy, rhythm, voice and thought, mind, imagination , in movements, inspired by tai chi, Indonesian silat/kung fu, yoga, karate, kalary payat, all personal movement that spring from body needs, naturally, as we get up in the morning there are a natural need to do stretching, shaking, massage etc. Every morning can be different in variation.One part of movement can be repeated many time, aware of what part of your body being moved, what rhythm and sound pronounced,  how long, speed, etc.Take care to enjoy the movement. at the end of the session can be ended by pray.Simply sit quiet, to feel sensation in the body, breathing, observing,  how quiet you are, wandering the state of being, your mind, steady or agitate, ponder stillness. Every day is a bliss, amazing grace. 
There are 240 gym tribuana in you tube , as offering I made, free morning offering, as in Balinese tradition, we make offering every morning.
Enjoy. The number of video is growing, smilingly.
klick link below : 
https://youtu.be/RXDxQ106IG0
https://youtu.be/nkFypO9cBvQ
https://youtu.be/3mTrDO1u9zM
https://youtu.be/O__HWRwgi_E
https://youtu.be/UrmbufUs1hE
https://youtu.be/DlE0dvtFR-E
https://youtu.be/LumpOokU1rQ
https://youtu.be/StsXxGcx_lE
https://youtu.be/r72BgAmnMCw   tao 5 elements
https://youtu.be/mhyGlmCMOQs   tai chi 4 cardinals
etc
 
(to be continued) 

It is impossible to do all these 30 fields/lessons during the workshop (0-29, there number 0:Prep/tribuana active meditation , so all field= lesson is 30), but we may explore and taste each of it during the first 2 days, and then you are free to work deeper on one or some of them. How? We will decide it together with the time, space, and instruments. A Residential workshop is better time to work on Tribuana.

If, theatre is the "diamond of the life", its goal should be to crystallize the experience of life into luminous memory. Memory creates vocabulary, language and instruments of expression. By awaken and cultivating the expression of the "three worlds" (tribuana = body, living energy, thought), we follow the way of the harmony with nature, adapting their reality to the needs of the space, time and situation; To remember and well considered, where you come from (departure point) and where to go (destination). Time, is a book, where you record life, line of destiny, in life there are work and all information.

Destiny carried by character, character build by habit, habit is created in daily action, repeated work/ action, action comes from "good-right" thought/idea. So from idea (what you have in mind) to destiny, there are work to do.

An actor (Tri Buana) must be in good health (tribuanicly: mind, energy and body), in the way of harmony, in order to be able to animate the story (which animates them) and to offer it to the public that came to share the authentic account of the hi-story.

For participants Tribuana, it is worth and respectful to cultivate
this 5 ways.promise, rules, vow, ....(depend on your involvement), the 5 fingers Tribuana:



Tribuana actors references, klick here

Tribuana master references, klick here

Brahman signifies the imperishable supreme. The realm of the SELF is the pure clear liberated essence of ones being. To ACT is to be on the way of the manifestation of the creative process, which leads the invisible BEING to existence (REALIZATION).
Inspired by Bhagavad Gita, song VIII, 3.

Tapa Sudana,
Montreuil, updated on 29 december 2013, 22h05
tribuana@wanadoo.fr


Tribuana Workshop 2014
opening way to Marga Pura
18-21 April 2014 in Italia
Casa San Stefano di Melara

Workshop Tribuana way in 2010

Madrid 22-24 January 2010, at Elencoactoral of Jorge Gurpegui
Director C.A.R.A. Elencoactoral
www.elencodeactores.blogspot.com

Athens, 24-28 March 2010
at Anna Dimitratou
contact:
orientalexpression@hotmail.com
info@orientalexpression.gr
annadimitratou@yahoo.gr

Ostuni, Italia, at La Luna nel Pozzo , 24-29 april 2010, canceled information: click here
Telephone: xx39.0831.330353
xx39.3358037241

Patras, Greece, 19-23 may 2010
contact: Anastasia Bourbou: anastasia_bourbou@hotmail.com

Italia
28 may- 2 june 2010
contact: Teatro Granara, Annalisa Rossini, +39.335.5917315 www.granara.org

15-21 july 2010
Contact: Francesca & Enrico Pompeo
Teatro del Montevaso
s.p. Del Montevaso km 18
56034 Chianni (Pisa)
tel. 333 - 8592986 / 338 - 9397192
24-29 july 2010
Artimbanco Teatro - Villa Guerrazzi
Loc La Cinquantina- Cecina (LI) - +39.347/8857743
In September
CaRoman, Venezia
3-11 (??) september 2010, in progress
info@teatroinvisibile.it
antoniocargnello@yahoo.it
saracele@hotmail.com
luca@icialtroni.it
329 5667182
328 4185372
333 4152106
Workshop calender 2008:
Roma org. by Marco Adda
: 15 - 19 january, contact 0039 + 328 9410442 , marcoadda@libero.it

Paris org. by Olivier Richard, Cie Art Metamorphoses,
28 january to 1st. February,
10-14 march,
12-16 may,
contact 33 (0)1 46 07 08 10, 33(0)6 24 83 52 35 , oprichard@cegetel.net

Ostuni, Bari, Italia, org. by La Luna nel Pozzo, Robert McNeer and Pia Wachter, 
19-23 march, contact: 0039 0831 33 03 53, 00 39 335 8037241, lupo.teatro@libero.it

Athens, org. by Manolis Karyotakis 
30 210 34 54 491, 2-6 may 2008;

Aegina, Greece, will be in april 21-25th, 2008 by Christina Chorafas contact 0030 2 29 70 26 885, oikiak@yahoo.gr

Roma, still in process to be held in April from 3-7, org. by teatro Ygramul, contact 39 06 41229951, 39 3314703950, amaralina@libero.it and info@ygramul.net

In Paris, a Tribuana teatre manifestation will be organized by Compagnie pour l'Artisanat des Menteurs , in may from 24-25, contact: Sébastien Rabbé, 06 87 77 65 66, 08 70 37 93 93, sebrb@hotmail.com

at Teatro del Montevaso: http://www.teatrodelmontevaso.it/ Workshop Tribuana from 8-13 august 2008, contact:Francesca Pompeo
Teatro del Montevaso
s.p. Del Montevaso km 18
56034 Chianni (Pisa)
tel e fax 0587 647617
tel 333 - 8592986
teatrodelmontevaso@montevaso.it

The last workshop Tribuana is a Retreat Tribuana in Italia
28 march - 1st april 2013, Easter-Retreat Tribuana at Cima Grappa Italia
org. by Antonio Cargnello ; Sara Celeghin. 
from Teatro Invisibile, ++39 329 5667182, ++39 328 4185372, info@teatroinvisibile.it in a house around the snow on the summit of a hill 4 april 
Workshop con Tapa Sudana, Progetto Marga Pura.
Workshop intensivo e residenziale con Tapa Sudana
dal 18 al 21 Aprile 2014 presso Casa S.Stefano di Melara (Rovigo)
per informazioni su organizzazione e costi:
antoniocargnello @ gmail.com
329 5667182


Tribuana (expression 3 worlds), 19-24 avril 2009Montevaso - Italia please contact : Francesca and Enrico Pompeo at 0039 0587 647617 portable 0039 333 859 2986 domicile 0039 0587 647293 teatrodelmontevaso@montevaso.it other link for tribuana: http://theatretribuana.blogspot.com/
Stage/Workshop Catania, Sicilia
29 july-2 August 2009
contact: Marcello Capelli
telp: 0039 3334947292
mailto: mandarake1@libero.it
Stage/Workshop Paris13-25 july 2009 (stage annulé, canceled)
2 rue des Noyer, 93300 Aubervilliers
contact: please see this link:
Workshop at Teatro del Montevaso, Italia
around 9-14 august 2009,
please see the link here
or contact Francesca Pompeo and Enrico Pompeo
Francesca Pompeo Teatro del Montevasos.p. Del Montevaso km 18 56034 Chianni (Pisa) tel e fax 0587 647617 tel 333 - 8592986
Tribuana workshop in Paris, Stage Tribuana à Paris :
14-18 Decembre 2009,
Contact: Luca Giacomoni, tel: +33 (0)6 18 46 50 53
email: luca.giacomoni@live.fr

I Gede Tapa Sudan and father I Gede Madera

photo avril 2017.
My father (white beard) and his 2 wives (extreme left & right) and his 13 children.

Here is a video of Bayuswara Tribuana Cima Grappa 2013
klick please to see video


Next Tribuana Residential Workshop,
 will be in the mountain of Parma, Italia, 
organized by Federico Picciani,
2 workshop of 3 days, from 1-8 september 2016.
Unfortunately: this workshop is canceled.


A bit of myself, life-time record, where I was born, my parents, ancestor's tradition ....

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