jeudi 12 juin 2014

Tribuana Montevaso 2005 and so on, a note book memory, and pondering on Yuga.



There are moment we grow, there are moment we take from the worlds elements of life we need. As the basic carrier, water is the one to honor, to purify, to beam with our inner light: knowledge in brain, vibrate sound in energy and work with body.
the 4 seasons we live on earth, the 4 yuga that the Indian has in their Veda, the Maya with their cyclic calendar, we are living now a calendar of a years with 365/366 days, repeated and repeated so, a day of 24 hours, a minute of 60 seconds, ....heartbeat of .....
Imagining the heartbeat of the cosmos, the cycle of the SUN of our sun ...
Here below, I am taking image from the speech of Sadhguru in youtube, some image that in 70 years Dwapara yuga will ended, "we" will enter into treta yuga. (read the cyclic movement of the sun in counter clock-wise).

some other images about Yuga by Sadhguru from Isha foundation,

Then, comparing with what we live on earth with 4 season, autumn, winter, spring, summer, we find kali yuga, dwapara yuga, treta yuga, satya yuga but here in a different distance of duration. 

There are another lecture, another understanding I found in internet about yuga. 
There also another knowledge on yuga with different name on Sat=Satya=Rta ...



some more 35 images on yuga explained in a conference by Byasa Steinmetz, you may see in 

Let us dreaming and imagining:
If we ponder on cyclic season (365 days a year) on earth, trees blooming, fruiting, seeding, and hibernate ... then we pondering on the "season" of 2x 4 yuga= one cycle total yuga (about 24000 years, some others say 25920 ) years.
They said that satya yuga is a golden divine cosmic consciousness age (period/season) , where we need not language to communicate because there are no more my idea and your idea, no more my thought and their thought. There are "THOUGHT" free wifi to consume from cosmos and one's mind.
If in a room we breath the same air to survive to take oxygen, in a room of satya yuga we consume "CONSCIOUSNESS" for free like air on earth now; ha haa, imagine it so.
From Kali yuga to Satya yuga, it is an ascending consciousness, we need the use of matter to get knowledge. As metaphor: from solid to air/steam. 
From Satya yuga to Kali yuga we spend cosmic consciousness to gain matter. As metaphor : from steam to ice/solid.

Now, using this basic idea as creativity in tribuana way , tribuana-theater of life is a transforming way from idea to realization (matter/reality), and from reality to idea. Between both element, there are life, energy, effort, work, work in shopping, ..... Theater of life is theater that is worked by idea and reality.

As we see and take wisdom from the tree, there are moment to observe elements from outside, growing, there are moment of "offering" its flower, fruit, flagrant, essence, knowledge, secret .... 

Entering a certain human's age, human's period, seasons, there may a time to offer, if we have chance to do so. To offer matter, energy/emotion, thought, knowledge, creation as offering. To offer like a flower blooming in spring is to release from one's owning nature, in a joy of celebration in the form of sharing, teaching, guiding, ordering, contributing ... it is depend on character of the person. The character as one parameter of value of human being; Certain theatrical work, is work on character.

Playing a character in theater, theater of life, is acting in life, to be, to behave, is pondering on what you have gained from your ancestor heritage, from education, from life experiences & knowledge.

As a Balinese actor, i have been wondering in France since 1974 ( I was 29 years that time). Working in Indonesia with Putu Wijaya, W.S.Rendra, Sardono W.Kusumo, the last took me with his "La Sorcière de Dirah" dance, music, theater, 30 dancers, actors, musicians, singers, 4 children from Bali and Java , touring in Europe. My family, Hindu-bali tradition, left me something that revealed itself by time, by working with others. I have giving Tribuana workshop in some European countries, Bogota, Caracas, Mexico, Tchad,
Working for Peter Brook 1979-1991, in creation "Conference of the birds" of Attar, "Carmen", "Mahabharata", "La Tempête/ the tempest of Shakespeare", "Ta Da Da", 

One of Tribuana participants in Athens, one day offer me this:
Heavenly King
Βασιλεῦ Οὐράνιε, Παράκλητε, τὸ Πνεῦμα τῆς Ἀληθείας, ὁ Πανταχοῦ Παρὼν καὶ τὰ Πάντα Πληρῶν, ὁ Θησαυρός τῶν Ἀγαθῶν καὶ Ζωῆς Χορηγός, ἐλθὲ καὶ σκήνωσον ἐν ἡμῖν καὶ καθάρισον ἡμᾶς ἀπὸ πάσης κηλῖδος καὶ σῶσον, Ἀγαθὲ τὰς ψυχὰς ἡμῶν.

Vasilev Ouranie, Paraklite, to Pnevma tis Alitheias, o Pantahou Paron kai ta Panta Pliron, oThisavros ton Agathon kai Zois Horigos, elthe kai skinoson en imin kai katharison imas apo pasis kilidos kai soson, Agathe tas psihas imon.

So what we call Heavenly King, let illuminate IT into The Great Creator,  the origin of the ORIGIN.
Or, Gene.

samedi 17 mai 2014

Au musée du Louvre, Paris, après 3 heures de film Mahabharata, parle .....

il y avait M. .... interviewer du Musée du Louvre,
 Peter brook, mettre-en-scène
Jean-Claude Carrière: écrivain
Michel Propper: film-producteur 
Tapa Sudana: acteur
avec plus que 400 spectateur film

ensemble interrogent : Le Grand Mahabharata

La forme Théâtrale de Mahabharata dans son première présentation au Festival d'Avignon en 1985, ça dure 9 heures de spectacle avec 9 mois de répétition au Bouffes du Nord, Paris, avec 10 jours voyage éclaire en Inde, toute les équipes.
Chloé Obolensky scenography , costume, accessoire, selon Pippa Cleator son assistance il y a au mois une liste des milliers d'objets commandé de l'Inde & d'ailleurs, et pourtant on voir la simplicité essentielle dans l'utilisation d'accessoire de mise-en-scène de Peter Brook. 
Mahabharata de l'Inde, fabriqué in France avec jusqu'à 16 nationalité différent, Centre International de recherche théâtrale de Peter Brook à Paris conduire par Micheline Rozan, C.I.R.T. , avec tournée Mondiale : Europe, Japon, Los Angeles, New York, Australie, et film version 3 heures et 6 heures
Autant qu'acteur née à Bali, baigné par Mahabharata en théâtre d'ombre (film=ombre électronique), en théâtre d'ombre de la vie + masque (Wayang Wong), je pose des question: quel type de théâtre devons nous produire à ce moment? Théâtre, cristal et lumière et ombre de la vie, idée de pensée humain, théâtre rendre réelle/visible l'invisible qui nous anime..... alors, l'acteur est venu pour réveiller la matière morte, la matière qui dorme.
Bhagavad Gita, chant-lumineuse de Krishna et Arjuna dans le champ de bataille Kuruksetra, grand guerre de la famille Bharata .....
hmmm la guerre, ou commence-t-il cette grand guerre 
la décision, le choix de l'action, sa fontaine jaillir en soi, 
Théâtre des trois mondes: pensée, émotion (énergie multi couleurs de la vie), corps/matière;
Célébration, performance, spectacle, offrande, création humain, création animal, création végétal,
et
la matière, les minéraux comment se transforme-t-il en cellule vivant?


Interview ....


si ce film ne se visione pas,


Actors, directors, writer of a play, and film producer, interviewer was there after 3 hours (short film version of Mahabharata of Peter Brook, that in its theatrical play it was a run-through 9 hours performance in 3 part. When Mahabharata performed at festival Avignon in 1985, it start from sun-set/sun-down till sun rise .....

jeudi 24 avril 2014

18-21 April 2014, Marga Pura Tribuana at Melara, Italia.


here 

Thinking of 2 Marga Pura Tribuana event in a year, questioning, renewing our habit, which one to continue as new bud (grain of habit), which one to abundant left behind to die;
the parameter to follow is: idea - daily action - habit - character - destiny.
Among the 5 steps here, the time of the actual work during residential-work-share is the step of : daily action.
The 2 poles of the annual cycle of retreat are spring and end of autumn:
one in Easter, with spirit of "rebirth"
others in September , may be again in Caroman, our mythic wild sacred space of birth migrate, natural space in and out door, beach, of little island of Venezia.
Here one of the past video of Tribuana Caroman 2009.
What will be the "lesson" and the essential parameters to keep and to practice daily from this 3 days work share in the air of "Easter time" holy days?
Time registered, and carries experiences.
Experiences to filtered its lessons, useful hint for life.
Hints can become determinant parameter, important references in considering reality, in taking decision, in solving problems of life;
Our way is theater tribuana, theater of 3 references.
Number of participants is determinant reference too.
3 active participants from Grenoble (2 advance age, 1 young boys), France with one of their driver/accompany/ "husband" of a participants.
1 lady of Italian experienced theater, has done Tribuana workshop many time, theater creator of Teatro Rimbalzo.
1 man from Milano has done many workshop Tribuana, work fro party event.
1 man has done many Tribuana work fro Padova;
2 participants & organizer from Padova: young couple of Teatro Invisibile that organized many Tribuana workshop, that create Marga Pura, a way to inner "temple".
2 new young girls never did Tribuana work.
1 young girls has done some Tribuana work, from Padova
2 boys new in Tribuana way.

13 divers active participants, 1 non active, and me , we were 15 in a place that specially build for Scouts meeting.

We cook vegetarian together,
good participants we need not to make the list of group "turn duty", every one seems time their time on cooking, cleaning, dishes washing, ...

Every moment of life time there can be a "work" of Tribuana way to Marga Pura; The time work  then....24 hours; A pose (sleep) is also part of natural work;

In Tribuana Marga Pura we ponder/ questioning every thing of life.

The second morning we manage to do "water ritual" 06h30 (2 member still asleep, missing the "lessons").
the first night we did "meditation" sit on chair around candle light.

The space is clean, new, with enough space to do work inside and outside the building.
the building has one neighbor on one side, and cultivated agricultural field surround.

What can be the work to do so it can feed better these diversity of participants, may be in aim, capacity? interest? openness? Tribuana response : language for work on thought, behavior/character for work on energy of life, emotion, making and work with objects.

As servant and master and guide I must invent program together with others that present.
27 fields/lessons of Tribuana is to be shared, to work on. When? Where? Who will do the lessons, which one?

A 3 days work-share: in tribuana guide/reference:

  1. first day is making the group to introduce the sense of family in order to behave at ease like at home;
  2. the second day to explore the menu Tribuana among 27 of  them, we did cleaning ritual with broom, in movement of Silat  discipline, ritual of cleaning with Koukoul Djagat (Tribuana Ko Do). In the second day I am actively enter to the workn of possible, every tribuana field (of 27) with its proper way and discipline. Some soft, other hard and tough;
  3. The third day is to practice what has been open, introduce of tribuana; Participants organize their choice, i a open to accompany, to "teach", to give indication in practiced. Presentation of personal Totem or group work.
Work on the group was the first "lessons". How to introduce and to guide and to develop the work into useful instrument that unite them in the same: interest, time, space.

Finding parameter of "how to work in a group" is a work.
For this purpose, I must create a game, an activity, an exercise.
There are important exercise how to lead a group, how to be a "good" follower, how to be a "good/just" guide/leader. To experience to be a master that transmit and to be a student that perceived is a work to do, and to find its parameter; In this exercise participants must be

  1. always ready to follow, to receive /to perceive and to give: to transmit/ to guide.
  2. understand is a way to trace, understand the rule of the game, understand others,...
  3. open
  4. interest on others
  5. evaluating/grows/adapting the rules, the link, the story, the subject of common interest/creation.
  6. be creative to progress in harmony with others.
  7. ....
Here a video, of Tribuana Tree of Wisdom playful-ritual the last day before leaving the space,  the last participants did cleaning to leave the space as being discovered on arrival time. A space of work is Marga Pura, identical as Do Jo in Japanese Martial art space.
up dated 24 april 2014, 15:01 
To be continued;


lundi 17 février 2014

Marga Pura, way to I am sharing in celebration

updated 22 march 2014, 09:33
Open to sky open to earth
when its (two) meet together, it can be infinitely a living radiation
like the sleeping-number 8 
infinitely all directions

Marga = way
Pura = Temple
The way to the temple, a way to a temple, my way to my own inner temple, may all find their way to their temple of eternal present.
oOMm Awignam astu nama siddhi buddhi buddhayam.
May all be in honorable way of health of the 3 worlds of human essential elements, in the way of magic power of survival, to serve a creative harmonious commune creation, for celebration in natural harmony. Open to the sky, open to the earth, way from ancestor to earth is a life time cultivation, a life time agriculture in this very dearest field that we carry in our body. This body of human, animal, vegetal, mineral contain energy, energy can become spirit, spirit animated matter. What the matter?! Is it matter or not. It doesn't matter. Yes it is a matter of fact, of real "thing", mysteriously the word already play in us, that we pretend to articulate word, mastering word that borrow a way through your brain to be pro-nounced by mouth, your mouth as if my mouth, the mouth of word's spirit, word's atomic energy is a chain reaction with unlimited link....if our awareness, knowledge, consciousness is also unlimited.
Opening a way together and walk in together, opening a field and work together, what grain to cultivate? One's own grain, that what one carry. Two grain meet and married and produced. There are grain that can not produced whet they meet together. Then possibility is limitless: war, discussion, concert, dance and sing together....let put a word / a name on this happening: "celebration".

Ah sorry please don't go to celebrity. Let the word celebration be offered for a temple, here I offer you a piece of my Balinese tradition, as I try to remember temple celebration Hindu Bali Animist temple of my ancestor temple, pura Penambangan Badung, Puri Pemecutan, Denpasar Bali. Please klick here to see video PEMELASPAS ALIT CANDI IBU of ceremony /celebration of my ancestor temple in Denpasar, Bali, Indonesia; (IBU=mother). In this video, made by Made Wijaya (Michael White, Australian garden designer settle in Bali) and he is doing comment too.

A ceremony, a celebration in Bali contain: offering made in a beautiful symbolic way with natural element but now nature has grows to artificial, music, movement/dance, trance, sacred text (mantra, pray), clean-sacred dress so it look beautiful for human eyes, even statue is being dressed, that will awaken in us an interpretation: actors, creative actor of life awaken spirit that sleep in "dead matter" /(dead body). After the ceremony, you see the King speak giving "his essence of reflection". He speak high Balinese and Indonesia, the essence what he says (I translate some of them), the King said: "You may take anything you want, you may eat what you want with mouth, eyes, ears, perceive with five senses all around you and please do take care not consider/take a peanut that you see far away as a mountain" He is the actual King now in palace Pemecutan with name: IDA COKORDA PEMECUTAN XI / A.A. NGURAH MANIK PARASARA, SH.
He was in the same classe with me in elementary school in the 1950's at Pemecutan Denpasar Bali  Indonesia. Now I realize that memory is need to be updated in other to joint, to link with life correctly.
He speak also about celebration with OGOH OGOH for NYEPI, Balinese New Year, Year Caka, NYEPI (in silence). 5 march 2011 = 1933 Balinese year Caka. In that celebration, there are preliminary celebration with ogoh ogoh, all possible manifestation of your inner "demon" in statue to be carried in precession. Modern eyes see may be a giant nude human statue with erected sex organ as pornography, terrible face of a demoniac expression, figure from Mahabharata or Ramayana, and other dirty image is allowed to be manifested and celebrated that day. Awaken good interpretation in mind! For the next day will be "silence". Silence will link with immobility, no activity, and for that day little island of Bali no car traffic in the street, no fire being lit, so no cooking, food is prepared the day before. Further information about Nyepi is here, to klick.

So to celebrate Nyepi in Bali, to be in silence and immobile on physical movement, like in Japanese ZA ZEN. This habit, this tradition tell us to start a creation, is being prepared with, cleaning, purification so let all the dirty bad things from inner flow out. Passing your life time in pose, no action yet in action, that is the mystery of departing a creative process.

So to joint this Marga Pura, what do we need to prepare before coming and be in the way , just for 3 days. The deeper you prepare before day of "work-share" (instead of "workshop", to prevent the mind doing shopping and go away, its done), the deeper you will gain the fruits of your work that can last longer, awaken divine(scientific) intelligent and it can transform you, your daily action, habit, character, destiny. So here we see the path of our logic way, in mind way, that destiny must start from a right spirit, right mind, right thought, ...rolls and flows to action, habit, character, destiny. It is along way, one life is not enough.

immobility in silence is all.
so
make it so
and LET US make it ssSSOooo.

So we have no other choice but to take care accurately our life time, if you feel and think so. In any moment of our day there must be a moment of quiet, silence and immobile, it can be in metro (imobility to try), it can be in a cave on a hill (silence and immobility will be equilibrated), during washing the dishes in the kitchen: silence in mind yet do in action accurately, ... you see creativity never ended in interpretation, as long as we are flowing like river.

The silence and the immobility of a river is flowing. The bridge flow, the river stagnate/stop.

Retreat Tribuana in the way of Marga Pura (way to one own temple) is a work on your way of life,  your own characteristic expression, way to your own nature to express in words/ in mind, in energy of life/emotion, in movement/body.

What will be the work?
You choose what you want to explore in yourself, in your expression to be channel in :
  1. movement, or 
  2. voice, rythme, music, or 
  3. thought/words/text.
For to serve well those 3 essential, fundamental part of human body, energy, thought and spirit, we need its own necessary property, instrument, accessories.

Expressivity can be in words, design, picture, object composition, percussion, rhythm, games, work with object, ....  etc.
Tribuana propose 27 fields to explore, it can be theatrical or just normal life expression.

Who can participate,
Anybody can do participate Marga Pura retreat, you need not to be actor, or whatever you are, as long as you are open, interest in doing something about your self, alone and/or with others.

How does it will be programmed?
There can be work on exercise alone, and exercise with others.
In movement, it can be done with or without music;

The first period, first third time of workshop ill be working on preparation to know others a bit, to know the menu of the work to do,. The goal for this first third period of time is to be at ease with others, the space and time table to be programmed together, the chosen 27 Tribuana fields.

The second period, second third time, is to enter to the choice of the work, the exercise you have chosen. Activity is in crescendo toward a climax.

The third period/last period is preparation on celebrating it together, sharing them together with others. It can be a presentation of work, theatrical of any form you prefer, you feel at ease to share what you have done.

Any difficulties you encounter during the work, Tapa Sudana as a "guide and servant" will be with you. But don't take my words as it is as a dead hint, words is growing when it is spread, especially in spring time with the spirit of resurrection. ! !!!

Ritual is daily meal.

Introduction into "to be in vegetal way of behavior".
It is important also to consider the food we eat. Being vegetarian for the period of retreat, even start few days, few moths, few ... before.

In the awareness of the food and energy and mind to be consumed, will lead us to a style of vegetal life. What does it means, What is the realization of this vegetal way of life?

Tree will inspired and teach us.

We will have many time to speak and explore it together. The magic of food, the magic of sound, the magic of words, the magic of images enter through eyes ........ sound into ears stereo listening and see twice from in and out,  to speak at least once by one mouth.

Speak to a person human with language, "speak" to animal, to tree, to object (then object become living spirit) merit to be treated as .... ? ???

Tapa try to accompany you as far as you open yourself in work, in expression to share a possible solution of what you find as difficulties.

Tapa is not offering you a guaranty in solving problem, we try to find it together step by step; there are work on parameter to find, for a possible solution;

Please do see Master and student consideration Tribuana.

To understand what is "that" or "thing" or "some one":
  1. examining the means, the instrument
  2. how does it work.
  3. what is the aim
  4. what is the criteria of right or wrong, good or bad, satisfaction references.
How to continue the work after the workshop?
Yes that is to find out during the workshop. What you wish to continue, ask Tapa how to develop it alone. Anyway, there will be a continuity of link in mail, skype (my skype name: tapasudana from Montreuil), or any other internet chat possible. Tapa is open till post time workshop / work-share;

A questionnaire Tribuana will help to prepare better running of the work, of your personal work that you want to explore during the retreat Marga Pura. So do send your quest to organizer and to me directly. In the quest Tribuana there are :

  1. expression of your wish, what you want to be in the future, ideally; important to express even if you think that you may not get it in future reality, but worth to honor in mind, in your imagination. 
  2. Your present activities, work, daily important work, determinant element. 
  3. Your past, as much as you open to "the tribuana quest", is your mirror of opening to others, that will be the mirror of what you will gain: openness = entrance. Knowing more/less, gaining more/less.
Judging is not what we deal with, during the retreat; All established value is being in question, being interrogated, to be adjusted. Do take care, whoever hold on preference will stuck in their way or in their spot. Spot >>> stop.

Pondering, wondering, wandering, yes. Doing and experimenting is the action, the work to do. Sharing is a direction and important aim to consider in action. Sharing is like making music together in a joy of celebration, celebration to enjoy;

Ritual is doing "exercise, action regularly, daily with the a sense of sacred, deal with spirit of "thing" you do.
(text to be continued)